How do I write a 200word short essay

How do I write a 200-word short essay?

When writing an essay you will more often than not, find that they have set a word limit.
You may be asked by a potential employer, or your tutor, for a short essay.
Shorter essays may be used if there is a high volume level of candidates for something, or if your tutor wants to test your brevity.
Writing a 200 word essay often requires more planning than a longer piece due to the obvious constraints.
Step 1
Write a plan for your essay.
You should plan your essay into three main sections: the introduction, the body and the conclusion.
The introduction should briefly explain what you are trying to achieve in the essay.
The body should argue your point, and the conclusion summarise all points.
Step 2
Paraphrase, rather than quote, a source.
Presume the reader has an understanding of the subjects or theories you are quoting.
Instead of quoting a paragraph that explains a theory or concept, write something such as "based on Smith's theory," and then lead into your analysis.
Step 3
Avoid ambiguous and verbose sentences or paragraphs.
Due to the short word length, reach your point as simply and succinctly as possible.
While additional marks will undoubtedly be given for style, the most important thing, as is true with all writing, is to put your message across as well as possible.
In this instance that means finding the balance between detail and persuasion.
Step 4
Check your work meticulously.
While your work has to be condescended, you also need to ensure it is all correct in terms of spelling and grammar.
With only 200 words, it will be more obvious if you have made a mistake.
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Your essay lacks only two paragraphs now: the introduction and the conclusion.
These paragraphs will give the reader a point of entry to and a point of exit from your essay.
Note any words of direction
Understand the essay question
a) your general dictionary for unfamiliar words such as
intrinsic, core values
b) a subject-specific dictionary, for example the APA Dictionary of Psychology, for
academic words such as
proof, random sample, significance level.

Think about the different parts of the question
Topic: In the last 20 years, rates of divorce have risen significantly in Western countries.
Critically analyse some of the different explanations given for this phenomenon.
In your discussion you should consider what implications these explanations might have for social policy.

The introduction should be designed to attract the reader's attention and give her an idea of the essay's focus.
The conclusion brings closure to the reader, summing up your points or providing a final perspective on your topic.
All the conclusion needs is three or four strong sentences which do not need to follow any set formula.
Simply review the main points (being careful not to restate them exactly) or briefly describe your feelings about the topic.
Even an anecdote can end your essay in a useful way.
History Department – Essay Writing Guide
This guide is intended to provide you with information about the skills of essay writing, including how and when to use footnotes or endnotes, presentation requirements and how to reference different kinds of sources (books, articles or web pages, for instance) and with more general advice about planning, introducing and developing your essays as coherent and effective arguments.
The most important point to remember in working through this guide is that writing good essays and communicating your ideas effectively are skills you can learn, develop and build.
The purpose of essay writing

One of the most important skills developed in an Arts degree is the ability to communicate your ideas in writing clearly and effectively.
This involves numerous other skills, including the ability to summarise and paraphrase the work of other writers, the development of arguments and conclusions, and the effective use of evidence to support a case.
Essay writing in History is particularly aimed at helping you progressively develop your skills in research, analysing different forms of source material, using different kinds of evidence, and writing strong, critical and clear arguments.
In most History subjects, you will be asked to produce different kinds of writing.
Short tutorial and document exercises usually address specific skills or tasks (locating sources, analysing a documents point of view, or assessing how particular images or words help us understand historical context, for instance), while examinations assess your knowledge of the content covered in particular subjects.
Essays provide you with an opportunity to explore a particular issue or theme in more depth.
In general, the functions of an essay are:
The best essays have a clear line of argument, and they present a thesis.
In other words, they state a position, defend that position, and arrive at strong, clear conclusions.
They have a well-defined introduction which identifies the central problem or issue and introduces the argument, a body which logically develops the argument point-by-point, and a conclusion which sums up the argument.
There are no simple instructions for good essay writing.
As you progress through your university course, you should be developing skills in research, analysis and communication which will not only allow you to write good essays, but to effectively communicate your ideas in other situations as well.
The tutors assessment of your essays provides you with feedback on your progress in these different skills.
The desired outcomes of essays in third-year subjects include formulating research projects and acquiring independent research skills; presenting a sustained argument, based mainly on substantial primary sources; placing secondary sources in their cultural, ideological and epistemological context by showing where they fit into the current state of historical knowledge; and greater awareness of the ongoing debates about the philosophy and practice of history.
The desired outcomes of essays in second-year subjects include developing skills in the use of bibliographies and other reference material, critical reading, putting more independent thought and reflection into essays; greater understanding of documentary criticism and interpretation, and the critical analysis of secondary interpretations by other historians.
The desired outcomes of essays in first-year subjects include: helping you learn to argue your own position against other points of view; development of the conventions of good historical essay writing, such as rigorous documentation and footnoting; awareness of the variety of representations of the past; familiarity with the different ways historians use evidence; and the ability to recognise, analyse and summarise an historical argument.
Who is an essay written for?

Do not assume that you should target your arguments for particular lecturers or tutors.
For a start, your predictions may be inaccurate.
Moreover, arguing what you think you ought to argue is a lot more complicated and a lot less interesting than arguing what you come to believe as you gather information, review different interpretations, and form your own perspectives on an issue or problem.
Any teacher can tell you that some of the best essays they read develop arguments they don’t agree with at all, or arguments which challenge their own interpretations.
Writing is easier if you imagine an audience: a person you want to convince of something, a person who wants to know about your ideas and perspectives.
Your task, however, is not to tell your audience what they think, but to tell your audience what you think, and give them reasons and evidence which show why your conclusions are significant, interesting and convincing.
Choosing and comprehending the question or topic

Choose a topic or question you find interesting and challenging: it is easier and much more enjoyable to develop and defend a strong argument on something which interests and intrigues you than on something you find boring or simple.
Writing is not the outcome or the finished product of learning:
it is a vital part of learning.
It is a way of sorting out and clarifying your interpretations, trying out your ideas, and discovering new ways of thinking about an issue.
Think about the question or topic in these ways:
It is also important to look at the question and ask yourself: do I understand what the question or topic is asking me to do? Have I interpreted the question correctly? If you are not sure, or if you want to check that the approach you are taking does address the question, talk to your tutor.
Essay topics are designed to draw on the subject content developed in lectures and tutorials, and on reading you have completed.
Reading the works of other historians, such as those suggested in reading lists, will help you see how others have approached that problem or issue.
Historians often disagree on the importance or the meaning of events of evidence, or use different kinds of evidence to challenge and amend prior interpretations.
They will take different approaches to the same question, and suggest different ways of examining an issue, be it gender relations in medieval Europe or the reasons for the collapse of the Soviet Union or the impact of colonial rule in India.
What you will see, however, is that all of these writers state a position.
They address a problem.
They answer a real or implied question.
You should trace their strategies for developing arguments and drawing conclusions.
As you do your introductory reading, review your lecture notes, and read more widely, think about your point of view, your own position in relation to other writers, and your own response to a problem.
Examine and evaluate the evidence: what conclusions can you draw? Which interpretations do you think best fit the available evidence? Your interpretations and conclusions do not have to be new to be original, challenging, and convincing.
You should argue the case which you think emerges most clearly from the evidence and from your critical review of other historians work.
Coming up with an argument

You’ve read the books and articles recommended in the handbook or by your tutor.
You’ve come up with some ideas about how you might approach the question, and you’ve got a pretty good idea about how other historians have interpreted the issues and addressed the topic.
You’ve collected some evidence from a range of different sources and you’ve tried mapping out some preliminary ideas and arguments on paper.
You’ve looked again at the major themes of the subject and thought about how you might address them in this essay.
In order to plan your essay, you now need to come up with an argument, a point of view which will guide your writing towards a conclusion.
The question
Would you agree with the argument that respect for the natural environment is a recent discovery for residents of Mars?
Having read a variety of sources, you should be able to state your thesis (your answer) in a sentence or two.
For instance:
Yes, because prior to the environmental movements of the 1960s, the majority of Martians were more interested in exploiting than respecting the natural environment.
No, because Martians have persistently respected their version of the natural environment, because natural environments are always viewed in a romanticised and idealised form.
No, it is difficult to draw a simple, general conclusion on this issue, as the evidence suggests that different groups of Martians have interpreted and viewed the environment very differently over time, and no clear trend is visible even now.
When you begin planning your essay, you should always be able to state your thesis in a fairly straightforward way, based on your initial reading and research for the topic.

This sentence or two states your case.
Broadly, your essay is the exposition and defence of that case: it shows the reader how, and why, you have arrived at those conclusions.
Planning the draft

To write a good essay, you must first decide what your central argument is going to be, and then plan your essay to develop that argument.
Of course, as you write your first draft, you may find that the argument changes and develops in a direction you did not anticipate.
Few writers are completely sure of their final conclusions before they begin drafting: the task of writing down and defending the argument often reveals unanticipated problems, or challenges and changes your first thoughts, or leads you toward one interpretation more than another.
Often, too, you might need to go back to your sources, read through some of your notes, or do some further reading to clarify and expand an emerging point.
However, the basic thrust and content of your argument or thesis should be clear enough to allow you to plan the stages of your argument before you begin drafting.
Perhaps the single best way of ensuring a successful essay is having a good plan .
The plan should lay out your argument, for instance in point form, and you can also use it to indicate where you will use certain items of evidence and supporting arguments.
In the short essays common in first year, your plan is likely to be less complex, and may only have four or five main points.
As you progress into second and third year, you are expected to develop more sophisticated arguments, which makes good planning even more important.
Writing the draft

Introducing and developing the argument

In your introduction, you should state your case and, as in the example above, set out the basic structure of your argument.
You might also briefly summarise two or three of your main points.
If you have decided to adopt a particular focus (for instance, using case studies from a particular time or place, or narrowing the topic to concentrate on a particular theme), you should explain this in the introduction as well.
Developing the argument: The example above shows how an argument is then developed towards its conclusion.
Basically, each stage of your argument should be developed and defended in turn, by showing your interpretation of the appropriate evidence, by critically reviewing the work of other historians, and by using example, case study and explanation.
A good way of thinking about this is to imagine that you are building your argument in blocks.
Each paragraph is a block which builds your argument towards a conclusion.
Each block is introduced and described, and then its place in the whole structure is shown.
Block 1: stage of the argument
On Mars in the 1850s, the beauty of nature was usually associated with wild, untouched landscapes.
Painters rarely drew human figures.
If there were humans, nature towered over them, as in Rembrandt’s Martian Mountains.
In her book Environmental Perception on Mars, Joan Brown argues that painters in the 1850s focused on how nature was being conquered.
However, Ash clearly shows that mid-nineteenth-century Martians usually depicted an idealised nature which was to be protected from the threats posed by civilisation.
Block 2: next stage of the argument
The most crucial changes occurred after the Martian titanium rushes of the 1870s showed the potentially lucrative returns of mineral exploration and exploitation.
Certainly, by the 1880s, most representations of the natural environment showed nature being tamed and civilised.
Even mining sites appeared in nature paintings, and the work of Joseph Smith is a good example of how even the most intensive forms of exploitation were represented as beneficial intrusion for the landscape.
Block 3: brief summary, and introducing the next stage of the argument
By the 1880s, therefore, the idealised untouched nature of the 1850s had been invaded by humans, and an ideal natural landscape was now represented as one which was productive and bountiful.
Humans did not threaten nature; they unleashed its potential.
It was important for Martians, Smith argued in 1883, to feel relaxed and comfortable about the past and future of the Martian environment.
Yet representations of an ideal environment as one conquered and populated by humans never completely replaced the older tradition of mourning the degradation of another form of ideal environment, the Martian garden.
This alternative version became popular again in the 1890s.
The body of your essay, therefore, uses evidence, examples and explanation to develop your case point by point.
Each paragraph has a point to make, and occasional summary sentences guide the reader through the argument.
Using different kinds of evidence

In developing your case, you will need to make decisions about the kinds of sources you will refer to, and the best ways to use them.
Sources can generally be defined into two broad types: primary or documentary sources (usually written at the time by an eyewitness, direct participant or close observer) secondary or scholarly sources(usually interpretations and explanations written after the fact by someone analysing the primary or documentary sources)
For example, a book containing the collected speeches of Charles de Gaulle is a primary source; an analysis of them by a political scientist or historian is a secondary source.
An article in the Age of 30 June 1900 about the bubonic plague epidemic which affected Sydney during that year is a primary source; an article in the Age on 30 June 1990 discussing the impact of the epidemic on public health policy in Australia is a secondary source.
Broadly, the primary or documentary sources are the raw material used by historians , the subject of your argument, while the secondary or scholarly sources provide examples of how others have analysed and interpreted the problem or issue at hand.
The distinction is not hard and fast, and there will always be exceptions.
For instance, if you are writing an essay about historians’ representations of race in Britain, the secondary sources of the historians are in fact your primary documentary source.
In most essays, you will be expected to critically analyse the interpretations of other historians in this way.
In any event, these different types of sources should both be read critically: analysed for their point of view, for the assumptions, ideas and understandings which inform them, and for the strategies writers use to advance their arguments.
Don’t take anything on trust: be a critical reader of all kinds of sources and texts, and use your critical analysis of both primary and secondary sources in your essay.
You also need to make decisions about how to use evidence: in the form of quotation, or in the form of summarising.
It is best to use quotation strategically and sparingly: quote phrases or passages which best illustrate the point you are trying to make, or which really help you give your reader the flavour of the evidence you are using.
If you use a quotation, make sure it fits with the stage of the argument you are advancing.
Refer to the language, analyse the assumptions or strategies it reveals.
In other words, use quotation when the actual words are the single best way of providing the evidence and developing your case.
If the quotation is less than about thirty words, combine it with your text, as in this example where I am quoting the following phrase which is not very long.
“You must always use quotation marks to indicate the separation between your words and the words of someone else.
” If it is longer than this, you should separate it from the text, and indent it:
This is an example of a much longer quote.
It contains a few sentences, and needs to be distinguished from the body of the essay.
When you are indenting a quote like this, note that you do not have to use quotation marks; as it is already separated, there is no need to indicate that by the use of such symbols.
In general, use very little quotation from secondary or scholarly sources.
It is better to say what you mean in your own words, quoting another historian or interpreter only where the phrase is particularly wonderful or where you need to show precisely how that writer made their point in order to criticise, defend or develop it.
In all other cases, it is best to summarise.
Write reflective summaries of what others have written, relating those interpretations to your argument.
You might find that the example paragraphs on the previous page gives you a more concrete idea of how a writer can use a mix of summary and direct quotation from different kinds of sources to develop their argument.
Concluding the argument

In your conclusion, you should restate your case strongly and clearly by summarising your main points.
It is also possible to raise issues and problems in your conclusion, especially broader questions which are beyond the scope of your essay.
You might reflect on what your interpretation implies for contemporary debates or discussions, write briefly about the broader implications of your position, or consider what your interpretations tells us about the role and nature of history itself.
Use your conclusion to argue for the significance of your argument and your interpretation.
Be careful, though: a poorly developed argument followed by sweeping speculations on the nature of the universe or the human condition is unlikely to be either effective or convincing.
Again, as you develop your skills in formulating, developing and defending arguments, you will also develop your ability to write more reflectively and to use essays to open up these kinds of complex questions.
Writing clearly and effectively

The best single rule is to always use clear expression: write simply and with clarity and avoid complex sentence constructions.
Use definite, specific and concrete language.
Don’t use unnecessary words, and make sure you understand the words you are using.
Writing problems often occur when people try to use very complex language and syntax.
A better idea is to establish a simple and clear style first, and then gradually develop more complex sentence forms and means of expression.
As you develop your writing skills, vary your sentence structures and lengths to add variety.
Short sentences often add emphasis to a particularly important point.
Spelling, punctuation and grammatical errors detract from an argument, whatever its quality: careful editing of your draft is very important.
It is also important to use accurate language, which is one good reason for using non-discriminatory language.
For instance, the statement that men adapted themselves to these new conditions should lead any critical reader to ask what women were doing at that time.
It is a reasonable and accepted convention that all forms of public communication, including journalism, business language and academic writing, should use non-discriminatory language.
There are at least five effective ways of improving your writing.
Always read your own work.
Always ask yourself:
Take responsibility for critically assessing your own writing.
Look at the comments made on your previous essays, and work out whether this one repeats the strengths and overcomes the weaknesses of your previous work.
If you need to, speak to the person who assessed your work, and ask them for more guidance.
Reading other writers.
As you read, evaluate the styles of different writers.
What makes them more or less effective? What is most important to you as a reader, and what makes good writers better to read?
Like any other set of skills, writing improves with practice and with constructive assessment, by yourself and by others.
Read your own work out loud.
You do not need to comprehend the rules of grammar or the intricacies of syntax to know when something sounds clumsy, or when a sentence needs punctuation, or when a long paragraph has completely lost its drift.
Reading your draft out loud is also a good way to add variety and oomph to your language.
If its boring you to tears, or if you have no idea what it means, it might be time for redrafting.
Let other people read what you write.
It is particularly good to give your essay to someone who is not an expert in the area you are writing about.
If it doesn’t make sense to them, your argument might need clarification.
If they struggle to read it, you might need to edit more carefully.
University teachers will not usually be able to read drafts of students work, but there are plenty of other people who can give you feedback.
Swap essays with fellow students.
Get the people you live with to read them.
Distribute them on buses.
Referencing Instructions for Essays

When to cite sources

Decisions about when to cite sources can be difficult.
Effective referencing is another writing skill your university work aims to develop.
The reader should, in theory, be able to retrace your steps in gathering evidence for your argument.
In other words, you provide citations as a kind of road map that shows readers how you came to these conclusions, shows readers where you derived your information and, if relevant, shows readers where you derived the ideas or interpretations that you are paraphrasing, adopting or challenging.
Therefore, you need to provide citations in the following instances:
In general, you need to provide sources for statements that are problematic or debatable in the context of your argument, or that a reasonably well-informed person would not be expected to know.
Again, the ability to successfully make these judgements is a skill you will develop with practice and experience.
If you offer a translation of a word or phrase in a foreign language, the basis of your decision should be whether a reader could reasonably be presumed to know the meaning of the phrase or word already.
There is no need to translate coup d’etat or Sultan or Blitzkrieg, for instance.
The use of citation to refer readers to the work of other writers is occasionally useful, but for the most part, your citations refer only to books, articles and other material you have used directly.
Only cite information that you have actually looked at yourself, or: always SIGHT what you CITE.
It is fine to use a second-hand reference (like a quotation or a summary in a book from a source to which you do not have access), but you should indicate that in your citation.
An example of how to do this is provided in the next section.
You can also use citations to clarify specific points, or add a small amount of additional information or supporting evidence.
You should not use footnotes or endnotes as a sort of second argument, nor to provide paragraph after paragraph of new information.
If it is not important enough to put into the body of the essay, then leave it out.
Numbering and placement of footnote and endnote numbers

When providing footnotes or endnotes, number notes consecutively throughout the text.
Put these numbers at the end of sentences, if at all possible, and distinguish them from the text either by superscripting (raising above the line) or placing them in brackets.
If you use material from two different sources in the same sentence, it is often possible to combine the two citations in one footnote, using a semi-colon to separate them.
Usually, you will refer to information or material at particular places in a larger work so you will need to show the page (p.
) or pages (pp.
) on which the material is located.
This text produces the following footnotes:
On Mars in the 1850s, the ‘beauty’ of nature was usually associated with wild, untouched landscapes.
Painters rarely drew human figures.
If there were humans, nature towered over them, as in Rembrandt’s ‘Martian Mountains’.
In her book Environmental Perception on Mars, Joan Brown argues that “painters in the 1850s focused on how nature was being conquered”.
However, Ash clearly shows that mid-nineteenth-century Martians respected an idealised nature which was to be kept separate from civilisation.
Float (ed.
), The Magical World of Ken Rembrandt, New York, 1965, p.
Joan Brown, Environmental Perception on Mars, Sydney, 1995, p.
Ann Ash, Joan Brown is Wrong, Sydney, 1996, pp.
Citing different kinds of sources

The following rules should help you through most situations.
The absolute rule is to be consistent.
Inconsistency drives readers crazy, and is not a good tactic when you are attempting to convince those readers of the accuracy of your interpretations and arguments.
There are also specific rules for the citation of classical texts like the Bible, the Koran and so on.
If you are studying subjects in which these texts are used, your tutor will provide you with the information you need to cite correctly.
Please note: Some areas of history, especially those published by European and English publishing houses (and now more often Australian publishers), follow the conventions set out in the MHRA (Modern Humanities Research Association’s) Style Guide (available electronically at

I will try to include my insights, based on my experience with writing essays.
That's a very standard limit for writing essays.
Why? It's because of these reasons (these will be the points you might want to consider for essay)
Make sure you write what you want to say, in the description.
And, in the conclusion make sure you have made your point, based on the description.
This is how you'll keep the readers interested throughout the essay, in the main body.
Happy writing :)

Select your topic and research your sources.
Plan your approach, aiming to use concise techniques, but particularly be clear as to the purpose.
Write your thesis.
Present your argument and document your sources.
Summarise your conclusions.
Edit it down to 200 words, whilst checking your grammar and style.

It is very important to keep in mind the guidelines of a short essay.
You need to follow the format.
There is always an introduction, body and conclusion.
Make your introduction and conclusion very short and crisp.
You can place the thesis statement as an introduction itself.
To know more about a short essay,

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  • Can you write something so deep that it would make me feel beautiful
  • Can you write something so deep that it would make me feel motivated
  • Can you write something so sad that it would make me feel something
  • Do professors ever write negative recommendation letters
  • Can you write something so deep that it would make me feel beautiful
  • Can you write something so deep that it would make me feel motivated
  • Do people still write personal diary
  • How can I write a good novel for beginners
  • Can I drive a lot of trafic to my blog without being that good of a writer Id say I write as any average person
  • Do writers get paid on Wattpad
  • Can I drive a lot of trafic to my blog without being that good of a writer Id say I write as any average person
  • Could you write a paragraph without using the letter K
  • Do writers get paid on Wattpad
  • How can I find Inspiration to write something good that inspires All I can write sad or romantic things
  • How can I write a good romantic novel
  • How can one write poetry creatively
  • Can you write a paragraph without the letter I
  • Can you write a paragraph without using the letter Z
  • Do you still write letters
  • Can you write a paragraph without the letter I
  • Can you write a paragraph without using the letter Z
  • Do you still write letters
  • How can we write a novel
  • How do I start writing a book on philosophy
  • Can anybody become a writer
  • Can one write a book without reading books about how to write books
  • Can one write a book without reading books about how to write books
  • Can anyone write something beautiful about their country
  • Can female writers write good male characters
  • Can I write a good novel
  • Can someone write and describe some thing that is not real or does not exist
  • Can we write something romantic together
  • Can you write 3 things about yourself
  • Can you write a deep sentence with 5 words
  • Can you write a paragraph where every word has the letter Z in it
  • Can you write a paragraph without repeating any word
  • Can you write a paragraph without the letter S
  • Can you write a paragraph without using an I
  • Can you write a paragraph without using vowels more than once per word
  • Can you write a real love story
  • Can you write a whole paragraph without the letter E and T
  • Can you write an answer with no words